So, now that I've let out my inner experimental Coltrane with "Saturation", where do I go from here? I'm going to pursue four threads:
--Big improvisation. Long-scale improvisations with massive amounts of overdubbage. At the moment, I've conceived of two ideas. The first is an atmospheric improvisation that has many layers but largely lays off the percussion. The second is a zillion layers of percussion with a focused guitar and bass in the top line. I'm not sure yet where this will go.
--Trio improvisation. Sort of like "Saturation", but my Modulus bass guitar gets to join the party. I could knock this out pretty quickly once I get my guitar sounds sorted out (see below).
--'70s blues/jazz/funk rock. Hendrix and Jimmy Page meet John Coltrane. This one will take awhile to happen, but I'm committed.
--'80s rock w/jazz influences. Big '80s hard rock bursting with melody and crunchy guitars, but not mid-scooped double-kick metal. I've been avoiding it for years, but the fact is that, musically speaking, I came of age in the '80s and can no longer deny it. Think Journey or Foreigner with jazz chords and minus the sappy vocals.
Have I committed myself to four albums? Not necessarily. These four threads could merge into a couple larger projects or fall apart entirely. I just wanted to let the readers know where I stand at the moment.
A note on my guitar sound. "Saturation" involves an extreme guitar sound that comes from my Axe FX preamp direct into the mixing board. I've tried the Axe Trak isolation speaker cabinet, and it sounded like ass. However, a company called Grendel Sound makes an isolation cabinet that seems like it might do what I need. I'm going to spend the $$$ to make it happen. If I could get the sound of a real guitar amp into a microphone, I'd be very happy. As an apartment dweller, this is difficult. Perhaps the Grendel Dead Room will do what I need. You'll find out soon. ;)
I'll be off to Bonnaroo next weekend. Don't know if I will post before then, but I'm sure that my experience at Bonnaroo will lead to many new musical insights that I'll be eager to share.
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